El s’mbolo de Dulcinea/Gaia:                                                                           English>

 

En los "esp’ritus sensibles", aquellos que est‡n ÒdespertandoÓ o pueden ÒdespertarÓ, especialmente porque Žstos, generalmente poseen naturalmente una mayor energ’a, habitualmente, sus ÒemocionesÓ son comœnmente utilizadas, manipuladas por terceros o puede dar lugar a confusiones de conducta. Lo que debiera ser el "pathos" (¹ατοσ= la pasi—n, sendero, camino) es "atra’do", "distra’do" (como dir’a Tomas Merton), por distintos centros de gravedad EXTERNOS a nosotros mismos : "ideolog’as", Òcampa–as pol’ticasÓ, ÒMiedosÓ, etc. que, para aprovechar la energ’a del alma humana hacen uso de cualesquier Òcausa justaÓ. TambiŽn son atra’das por identificaci—n con ÒyoesÓ internos, como "me siento malÓ, tengo "c—lera", tengo "pena", estoy "triste", o "estoy alegre", producidos por nuestras propias "asociaciones" subjetivas internas. La Novela de Caballer’a, y el "amor cortesano" de los inicios del Renacimiento, la "Alquimia" de aquellas Žpocas, esa otra Žpoca de cambio y Apocalipsis (¹οκάλυψις= Revelaci—n de lo Alto), NOS PROVEE DE UNA HERRAMIENTA, DE UNA "CLAVE", de una "tŽcnica" que EVITA QUE NUESTRA ENERGêA VITAL, nuestra "l’bido" sea consumida, sea absorbida, tragada, por cualquier evento EXTERNO a nosotros, imaginario e interno o supuestamente "REAL" y externo. Por m‡s JUSTIFICADO e incluso "ALTRUISTA" que Žste sea. No voy a "salvar" a ninguna humanidad sin antes "salvarme" a m’ mismo (y la raz—n me dicta que si creo que debo hacerlo antes debo poseer la energ’a suficiente yo mismo). Esta CLAVE, esta tŽcnica, este "truco" de aquŽl Mago del Tar—t, es aquŽl que emple— el QUIJOTE: ƒl se estableci— una META, un OBJETIVO ÒqueridoÓ para sus emociones y su atenci—n en general, las que no ser’an dirigidas hacia fuera, por nada ni por nadie, sino por aquella elegida por el Hidalgo Caballero, con el prop—sito de mantener su coraz—n abierto, no cerrado: ÇSe cree, que en un lugar cerca del suyo hab’a una moza labradora de muy buen parecer, de quien Žl un tiempo anduvo enamorado, aunque, segœn se entiende, ella jam‡s lo supo ni le dio cuenta de ello.È ÇLlam‡base Aldonza Lorenzo, y a Žsta le pareci— ser bien darle t’tulo de se–ora de sus pensamientos; y, busc‡ndole nombre que no desdijese mucho del suyo y que tirase y se encaminase al de princesa y gran se–ora, vino a llamarla 'Dulcinea del Toboso' porque era natural del Toboso: nombre, a su parecer, musical, peregrino y significativo, como todos los dem‡s que a Žl y a sus cosas hab’a puestoÈ. Al elegir este "pat—s", este "intento" indeclinable e insustituible, esta caballeresca empresa, este Òhiero-gamosÓ (ἱερὸς γάμοςἱερογαμία) devolv’a la creaci—n del mundo al Òeterno presenteÓ, la manifestaci—n del "logos" hasta sus dos componentes iniciales, Ad‡n y Eva (*), retrotrayŽndolos, en su aventura, hasta retornar al "pardes" (para’so) original.

(*) 0,1,1,2,3,5É .etc. ÁLa Serie Fibonacci! !, donde, aunque cuando buscamos, realmente nos estamos buscando a nosotros mismos, eso dicen ÓellosÓ; PERO esos 1 y 1, despuŽs de la manifestaci—n, son necesariamente Ying y Yang, mujer y hombre, Eva y Ad‡n, Lilith y AsmodŽo, pero una versi—n real de ambos, separados como en una bater’a elŽctrica, para producir energ’a. para comenzar la CREACIîN, arriba y abajo (la versi—n inversa: -1, -1, -2.-3 ...) Ahora, ÀquŽ es 3 ?, 3 es la primera tr’ada, el primer intervalo en una octava: cuando abres la boca para comer, o respiras por tus fosas nasales, o abres tu coraz—n para seguir viviendo, o tu mente para alimentarte, para recibir la luz del ÒTopos UranusÓo para iluminar la conciencia del mundo! etc.. ÁLo que acabamos de comprender es el secreto de los secretos! ÀCu‡les son sus consecuencias en nuestro mundo circundante y su gesti—n ...? Entonces: ÁNecesitamos una relaci—n m‡s cercana de 1 a 1, un intercambio, una reintegraci—n en la quinta dimensi—n!, una comunicaci—n eficaz, un intercambio energŽtico, el œnico que puede suplir tal "carencia", tal "hambre" que todos experimentamos:  Á"Yo", un "Yo" real y "efectivo" no es UNO, sino UNO y otro UNO! , por el hecho f’sico de que, para producir cualquier resultado, ambos ÒpolosÓ deben estar presentes para poder recibir, para poder ser ÒalimentadosÓ por la Òtercera fuerzaÓ del cosmos; ÁCualquier otra cosa resulta es solo ÒaccidenteÓ o "caos"!. La Òmagia Ó real  solo es posible al actualizar esta operaci—n. Solo luego de esta Òno nos falta nadaÓÉy si estamos ÒcompletosÓ, nuevamente en la unidad primigenia, no existe ya nada ÒfueraÓ, nos hemos convertido en la ÒtotalidadÓ.

Una observaci—n importante es que aqu’ el Caballero, el Quijote, a diferencia de aquellos quienes solo buscan incrementar su conocimiento en aras de incrementar su poder consecuentemente, no cae en un desarrollo egocŽntrico que lo a’sla de la vida misma, cayendo en la patolog’a del poder por el poder, y en cambio, antes bien su visi—n altruista por excelencia, centrada en el pat—s (emoci—n) se enfoca en acrecentar la vida y alcanzar la vida eterna en aquŽl maravilloso retorno a la unidad primigenia previa a la expulsi—n del para’so. Paso a paso, mientras lucha contra los enemigos, incrementa la ÒsaludÓ de ambos, hasta alcanzar una eternidad consciente y compartida, ambos ahora como una vibrante unidad.

Esto se debe a que el Quijote, al enfocar su psique en Dulcinea, le permite a la vez, descubrir el espacio de la fuerza, del Žter, el ÒnagualÓ, que de otra manera le ser’a esquivo, y all’ proseguir el Òcamino con coraz—nÓ seguro hacia el ÒpardŽsÓ. Es en aquŽl Òespacio de la fuerzaÓ, en el Žter es en donde se realiza efectivamente la operaci—n del Òcoincidentia oppositorumÓ, rara, escasa, pero posible, al punto de que en todos los tiempos han existido y existen ejemplos a imitar de esta operaci—n alqu’mica.

 

El d’a de la "Inmaculada Concepci—n" y el manejo de las energ’as por parte de las "religiones": Es una caracter’stica comœn de Žstas la "veneraci—n", "adoraci—n", "sœplica", "oraci—n", HACIA AFUERA. El s’mbolo de hoy se explicaba alqu’micamente a travŽs del proceso de la "hierog‡mia", llamado "amor cortesano", dirigido a despertar el chakra del plexo solar, dirigiendo las energ’as hacia el objeto de la "s’ntesis qu’mica" de Azufre y Mercurio y que figuras masculinas hist—ricas como Dante Alighieri y su "Beatrix" (Žl pertenec’a a un grupo esotŽrico llamado "I fideli d«amore"), Leonardo Da Vinci y su "Gioconda" (cuadro que Žl nunca vendi— sino que le acompa–— toda su vida hasta su muerte), el alquimista Nicol‡s Flamel y Pernelle, El Quijote y su Dulcinea del Toboso, etc. La sola "adoraci—n" genŽrica de esta "inmaculada" (no manchada por el "pecado" de una relaci—n carnal), as’ como el Credo fan‡tico actual de GAIA, la tierra,  la naturaleza, nuevamente EXTERNA, amenazada por el ser humano, llev‡ndola al "cambio clim‡tico", etc. histŽricamente representado hoy por una ni–a "Asperger" ,  Greta É; patolog’a que es aprovechada con un mismo y œnico prop—sito: Canalizar las energ’as ps’quicas humanas hacia un objeto EXTERIOR, desangr‡ndolas, por decirlo as’, y de este modo no se incrementen hacia DENTRO del ser humano al punto de que cristalicen en Žl y le permitan evolucionar y alcanzar la "gnosis", el conocimiento indeseado para quienes nos prefieren "ZOMBIS" ("Zombie Apocalypse") solo lo suficientemente despiertos como para trabajar para sus amos.

 

 

The symbol of Dulcinea/Gaia:

 

In those "sensitive spirits", those who are ÒawakeningÓ or may ÒawakeÓ, especially because they in special naturally possess higher energy, emotions are commonly utilized, manipulated by third parties, or it can lead to confusion and misconduct. What it should be the "pathos" (¹ατοσ = passion, road, path) is "attracted", "distracted" (as Thomas Merton would say), by different centers of gravity external to ourselves: "ideologies", Òpolitical campaignsÓ, ÒfearsÓ, etc.  Ingeniously "produced" in order to take the power, making use of any Òfair causeÓ. These also got identified with the several ÒegosÓ as "I am feeling bad", I feel "anger", I am "sad", or "I am happy", produced by our own subjective internal "associations". The Novel of Cavalry, and the "courtly love" of the early Renaissance, the "Alchemy" of those epochs, that other epoch of change and Apocalypse (¹οκάλυψις = Revelation from above), PROVIDES OF A TOOL, A KEY ", of a" technique "that impedes OUR VITAL ENERGY, our" libido " to be consumed, absorbed, swallowed, by any EXTERNAL event to us, imaginary and internal or supposedly" real " and external. It does not matter how JUSTIFIED or even "ALTRUISTIC" that this may be. I will not "save" any humanity without first "saving myself" (and reason tells me that if I think I should do it before I must possess enough energy myself).

This key, this technique, this "trick" of that Mage (Μαγοσ) of Tarot, is the one that used the QUIXOTE in order to keep his heart "open" and not closed: He established a GOAL, a TARGET, a Òmost dearÓ object for his emotions, and in general for his ÒattentionÓ, which would not be directed away by anything or anyone, but by that one chosen by the Hidalgo Caballero himself:

"It is believed that in a place near his own there was a working girl of very good opinion, whom he had once been in love with, although, as it is understood, she never knew him or [in some editions] accounted for.

She was called Aldonza Lorenzo, and it seemed to him that it was well to give her the title of mistress of her thoughts; And, looking for a name that he did not throw away much of his own, and that he would throw himself and go to that of a princess and a great lady, he came to call her 'Dulcinea del Toboso', because it was a native name of El Toboso: a musical one, pilgrim and meaningful, as all the others that he and his things had set. "

By choosing this "pathos", this irreplaceable and indeclinable "Intent", this chivalrous enterprise, this Òhiero-gamosÓ (ἱερὸς γάμοςἱερογαμία) returned the creation of the world at an eternal ÒpresentÓ, the manifestation of the "logos" to its two initial components, Adam and Eve (*), retrograding them, in its Adventure, until returning to the original "pardes" (paradise).

(*) 0,1,1,2,3,5É.etc. The Fibonacci Series!, where, though when We seek for, we are really seeking for ourselves, so ÒtheyÓ say; BUT those 1 and 1, after manifestation, are necessarily, Ying and Yang, woman and man, Eve and Adam, Lilith and Asmodeo, but a real version of both, separated as any electric battery, as to produce energy.. To start CREATION, above and below (the inverse version: -1, -1,-2.-3É) Now what is it 3?, 3 is the first triad, the first interval in an octave: when you open your mouth to eat, or you breath in through your nostrils, or open your heart to keep on living, your mind to feed, to receive the light from the ÒTopos_UranusÓ, or to illuminate the conscience of the world, etc..!. . What we have just have understood is the Secret of Secrets!. Which are its consequences in our surrounding world and its managing..? So: We are in need of a closer relation of 1 to 1, an exchange, a reintegration in the fifth dimension!, an effective communication, an energetic exchange, the only which may fulfill such ÒlackÓ, such ÒhungerÓ we all experience: "Me", a working and "effective" "Me" it is not ONE, but ONE and another ONE!, anything different is disorder, due to the physical fact that, in order to produce any result, both ÒpolesÓ must be present, in order to make possible to receive, to be fed by the cosmic Òthird forceÓ; anything else results in ÒaccidentÓ or  "chaos".!. Real "Magic" is only possible by performing this operation. Only then Òwe lack nothingÓÉ.and if we are "complete", again in the original unity, there is no longer anything "outside" ourselves, we have become the "totality".

 

 

 An important observation is that here the Knight, Don Quixote, unlike those who only seek to increase their knowledge just to increase their power consequently, does not fall into an egocentric development that isolates him from life itself, falling into the pathology of power by the power itself, and instead, rather his altruistic vision par excellence, centered on the pat—s (emotion) focuses on increasing life and achieving eternal life in that wonderful return to the original unity prior to the expulsion from paradise. Step by step, while fighting enemies, increase the "health" of both, until reaching a conscious and shared eternity, both of them now as a vibrant unity.

 This is due to the fact that Don Quixote, by focusing his psyche on Dulcinea, allows him at the same time to discover the space of force, of ether, the "nagual", which would otherwise be elusive, and there continue the safe path, its Òway with heartÓ towards the "pardŽs". It is in that "space of force", in the ether where the operation of the "coincidentia oppositorum" is actually carried out, rare, scarce, but possible, to the point that in all times there have been and there are examples to imitate of this alchemical operation.

The day of the "Immaculate Conception" and the handling of energies by the "religions": A common characteristic of these is "veneration", "adoration", "supplication", "prayer", OUTSIDE. Today's symbol was explained alchemically through the process of "hierogamy", called "courtly love", aimed at awakening the solar plexus chakra, directing the energies towards the object of the "chemical synthesis" of Sulfur and Mercury and that Historical male figures such as Dante Alighieri and his "Beatrix" (he belonged to an esoteric group called "I fideli d«amore"), Leonardo Da Vinci and his "Gioconda" (a painting that he never sold but accompanied him all his life until his death), the alchemist Nicolas Flamel y Pernelle, Don Quixote and his Dulcinea del Toboso, etc. The only generic "adoration" of this "immaculate" (not stained by the "sin" of a carnal relationship), as well as the current fanatic Creed of GAIA, the earth, nature, again EXTERNAL, threatened by the human being, taking it to "climate change", etc. hysterically represented today by an "Asperger" girl, GretaÉ; pathology that is exploited with the same and only purpose: To channel human psychic energies towards an EXTERNAL object, bleeding them, so to speak, and in this way they do not increase INTO the human being to the point that they crystallize in him and allow him to evolve and achieve "gnosis", the unwanted knowledge for those who prefer "ZOMBIS" ("Zombie Apocalypse") only awake enough to work for their masters