El s’mbolo de Dulcinea/Gaia:                                                                           English>

 

En los "esp’ritus sensibles", aquellos que est‡n ÒdespertandoÓ o pueden ÒdespertarÓ, habitualmente, sus ÒemocionesÓ son comœnmente utilizadas, manipuladas por terceros. Lo que debiera ser el "pathos"(¹ατοσ= la pasi—n, sendero, camino) es "atra’do", "distra’do" (como dir’a Tomas Merton), por distintos centros de gravedad EXTERNOS a nosotros mismos : "ideolog’as", Òcampa–as pol’ticasÓ, ÒMiedosÓ, etc. que, para aprovechar la energ’a del alma humana hacen uso de cualesquier Òcausa justaÓ. TambiŽn son atra’das por identificaci—n con ÒyoesÓ internos, como "me siento malÓ, tengo "c—lera", tengo "pena", estoy "triste", o "estoy alegre", producidos por nuestras propias "asociaciones" subjetivas internas. La Novela de Caballer’a, y el "amor cortesano" de los inicios del Renacimiento, la "Alquimia" de aquellas Žpocas, esa otra Žpoca de cambio y Apocalipsis (Ἀ¹οκάλυψις= Revelaci—n de lo Alto), NOS PROVEE DE UNA HERRAMIENTA, DE UNA "CLAVE", de una "tŽcnica" que EVITA QUE NUESTRA ENERGêA VITAL, nuestra "l’bido" sea consumida, sea absorbida, tragada, por cualquier evento EXTERNO a nosotros, imaginario e interno o supuestamente "REAL" y externo. Por m‡s JUSTIFICADO e incluso "ALTRUISTA" que Žste sea. No voy a "salvar" a ninguna humanidad sin antes "salvarme" a m’ mismo (y la raz—n me dicta que si creo que debo hacerlo antes debo poseer la energ’a suficiente yo mismo). Esta CLAVE, esta tŽcnica, este "truco" de aquŽl Mago del Tar—t, es aquŽl que emple— el QUIJOTE: ƒl se estableci— una META, un OBJETIVO ÒqueridoÓ y efectivo para sus emociones, las que no ser’an dirigidas hacia fuera, por nada ni por nadie, sino por aquella elegida por el Hidalgo Caballero, con el prop—sito de mantener su coraz—n abierto, no cerrado: ÇSe cree, que en un lugar cerca del suyo hab’a una moza labradora de muy buen parecer, de quien Žl un tiempo anduvo enamorado, aunque, segœn se entiende, ella jam‡s lo supo ni le dio cuenta de ello.È ÇLlam‡base Aldonza Lorenzo, y a Žsta le pareci— ser bien darle t’tulo de se–ora de sus pensamientos; y, busc‡ndole nombre que no desdijese mucho del suyo y que tirase y se encaminase al de princesa y gran se–ora, vino a llamarla 'Dulcinea del Toboso' porque era natural del Toboso: nombre, a su parecer, musical, peregrino y significativo, como todos los dem‡s que a Žl y a sus cosas hab’a puesto.ÈAl elegir este "pat—s", este "intento" indeclinable e insustituible, esta caballeresca empresa, este hiero gamos (ἱερὸς γάμος, ἱερογαμία) devolv’a la creaci—n del mundo, la manifestaci—n del "logos" hasta sus dos componentes iniciales, Ad‡n y Eva (*), retrotrayŽndolos, en su aventura, hasta retornar al "pardes"(para’so) original.

(*) 0,1,1,2,3,5É .etc. ÁLa Serie Fibonacci! !, donde, aunque cuando buscamos, realmente nos estamos buscando a nosotros mismos, eso dicen ÓellosÓ; PERO esos 1 y 1, despuŽs de la manifestaci—n, son necesariamente Ying y Yang, mujer y hombre, Eva y Ad‡n, Lilith y AsmodŽo, pero una versi—n real de ambos, separados como en la bater’a de su autom—vil, para producir energ’a. para comenzar la CREACIîN, arriba y abajo (la versi—n inversa: -1, -1, -2.-3 ...) Ahora, ÀquŽ es 3 ?, 3 es la primera tr’ada, el primer intervalo en una octava: cuando abres la boca para comer, o respiras por tus fosas nasales, o abres tu coraz—n para seguir viviendo, o tu mente para alimentarte, para recibir la luz del ÒTopos UranusÓo para iluminar la conciencia del mundo! etc. (Por cierto, sabes lo que es <y 3: el icono del coraz—n). ÁLo que acabamos de comprender es el secreto de los secretos! ÀCu‡les son sus consecuencias en nuestro mundo circundante y su gesti—n ...? Entonces: ÁNECESITAMOS UNA RELACIîN MçS CERCANA DE 1 A 1, UN INTERCAMBIO, UNA COMUNIDAD EN LA QUINTA DIMENSIîN !, Á"Yo", un "Yo" real y "efectivo" no es UNO, sino UNO y otro UNO! , cualquier cosa diferente es desorden, "caos".

 

The symbol of Dulcinea/Gaia:

 

In those "sensitive spirits", those who are ÒawakeningÓ or may ÒawakeÓ, emotions are commonly utilized, manipulated by third parties. What it should be the "pathos" (¹ατοσ = passion, road, path) is "attracted", "distracted" (as Thomas Merton would say), by different centers of gravity external to ourselves: "ideologies", Òpolitical campaignsÓ, ÒfearsÓ, etc.  Ingeniously "produced" in order to take the power, making use of any Òfair causeÓ. These also got identified with the several ÒegosÓ as "I am feeling bad", I feel "anger", I am "sad", or "I am happy", produced by our own subjective internal "associations". The Novel of Cavalry, and the "courtly love" of the early Renaissance, the "Alchemy" of those epochs, that other epoch of change and Apocalypse (Ἀ¹οκάλυψις = Revelation from above), PROVIDES OF A TOOL, A KEY ", of a" technique "that impedes OUR VITAL ENERGY, our" libido " to be consumed, absorbed, swallowed, by any EXTERNAL event to us, imaginary and internal or supposedly" real " and external. It does not matter how JUSTIFIED or even "ALTRUISTIC" that this may be. I will not "save" any humanity without first "saving myself" (and reason tells me that if I think I should do it before I must possess enough energy myself).

This key, this technique, this "trick" of that Mage (Μαγοσ) of Tarot, is the one that used the QUIXOTE in order to keep his heart "open" and not closed: He established a GOAL, a TARGET, a Òmost dearÓ and effective object for his emotions, which would not be directed away by anything or anyone, but by that one chosen by the Hidalgo Caballero himself:

"It is believed that in a place near his own there was a working girl of very good opinion, whom he had once been in love with, although, as it is understood, she never knew him or [in some editions] accounted for.

She was called Aldonza Lorenzo, and it seemed to him that it was well to give her the title of mistress of her thoughts; And, looking for a name that he did not throw away much of his own, and that he would throw himself and go to that of a princess and a great lady, he came to call her 'Dulcinea del Toboso', because it was a native name of El Toboso: a musical one, pilgrim and meaningful, as all the others that he and his things had set. "

By choosing this "pathos", this irreplaceable and indeclinable "Intent", this chivalrous enterprise, this hiero gamos (ἱερὸς γάμος, ἱερογαμία) returned the creation of the world, the manifestation of the "logos" to its two initial components, Adam and Eve (*), retrograding them, in its Adventure, until returning to the original "pardes" (paradise).

(*) 0,1,1,2,3,5É.etc. The Fibonacci Series!, where, though when We seek for, we are really seeking for ourselves, so ÒtheyÓ say; BUT those 1 and 1, after manifestation, are necessarily, Ying and Yang, woman and man, Eve and Adam, Lilith and Asmodeo, but a real version of both, separated as in you car«s battery, as to produce energy.. To start CREATION, above and below (the inverse version: -1, -1,-2.-3É) Now what is it 3?, 3 is the first triad, the first interval in an octave: when you open your mouth to eat, or you breath in through your nostrils, or open your heart to keep on living, your mind to feed, to receive the light from the ÒTopos_UranusÓ, or to illuminate the conscience of the world, etc..!. (BTW you know what < and 3 is: the heart icon). What we have just have comprehended is the Secret of Secrets!. Which are its consequences in our surrounding world and its managing..? So: WE ARE IN NEED OF A CLOSER RELATION OF 1 TO 1, AN EXCHANGE, A COMMUNITY IN THE FIFTH DIMENSION!, "Me", a working and "effective" "Me" it is not ONE, but ONE and another ONE!, anything different is disorder, "chaos".!